Rufus Thomas, R&B scamp and known ass-shaker about town, was the ripe old age of 53 when this single was released. He hadn’t lost one bit of arm-flapping gusto. Yet, “Do The Funky Chicken” still came out of nowhere. Thomas’s label, Memphis-based Stax, had recently severed ties with Atlantic Records,Read More

by Tom Johnson In many ways, I am still no closer to being able to put words to my feelings for this album. Instead, I find myself forcing words upon it, all of which are rendered meaningless because they really don’t describe this album, only things that have come beforeRead More

Now here we have the E Street Band with David Sancious and Vinny Lopez imparting more than a little bit of their jazzier sides. The jazz feel comes partly from Lopez’ loose-but-tight work at the kit and from Sancious’ wicked organ solo. You May Also Like: Reevaluating Bruce Springsteen’s ‘TheRead More

Credit Uriah Heep as the co-inventors of hard rock, along with Black Sabbath, Deep Purple and Led Zeppelin. It doesn’t mean they couldn’t craft a crunchy little hit single, too. You May Also Like: On Paul McCartney’s ‘Egypt Station,’ Uriah Heep’s ‘Living the Dream’ + other new releases Doobie BrothersRead More

by Tom Johnson I think there’s an annual requirement that Keith Jarrett must issue some kind of musical good. Going into this release, there had only been a handful of years in his career that have not resulted in some kind of album under his name — 1969, 1970, 1978,Read More

by Mark Saleski For those unfamiliar with Fritz Hauser, he is one of (maybe the … who knows, there’s gotta be more than one though) Switzerland’s best percussionists. You May Also Like: No related posts.

A sharper direction on this new release, not to mention an all-star backing cast, helps Stanley Jordon overcome many of the stereotypes that have dogged him since rising to fame in the early 1980s. Back then, Jordan was riding a wave of attention over his use of a eye-poppingly fastRead More

> *** STEELY DAN SUNDAY INDEX *** The art of narration in a song, I would suppose, is one that’s hard to nail down so tight, because when it’s done so well, you remember it. You May Also Like: Walter Becker, “She Was Good” (early 1990s): Steely Dan Sunday SteelyRead More

Steven Bernstein’s Millennial Territory Orchestra has worked well as a creative outlet for its slide trumpet-playing leader, who seems to come up with some off-the-wall ideas for a jazz orchestra. You May Also Like: Steven Bernstein’s Millennial Territory Orchestra feat. Catherine Russell, “Yes We Can” (2022): One Track Mind StevenRead More

Sebastian Bach’s ‘Kicking and Screaming’ falls in sound somewhere between Skid Row’s ‘Slave to the Grind’ and ‘Subhuman Race,’ and that’s a very good thing