Charlie Musselwhite, who once played with Muddy Waters, has just gotten better in his absence. A fine example is this Grammy-nominated release, which includes a deft cover of Sleepy John Estes’ fine “Brownsville Blues.” It’s a career highpoint, and (funny thing) Musselwhite hasn’t even put harmonica to mouth yet atRead More

by Pico It’s a CD that might be best enjoyed with a bucket of popcorn and a box of Ju Ju beans. That’s probably the way Barry Adamson intends for it to be, too. Ever since his first solo album Moss Side Story from almost two decades ago, Adamson hasRead More

by Pico Readers of this site are going to think that we are celebrating Father’s Day two months early because for the second time in as many days, a talented offspring of a famous father is getting the spotlight. Charlie Haden’s daughter Petra never aspired to fill her dad’s hugeRead More

Since his early days of hangin’ with Mr. Cougar, James McMurtry remains the same guy he was back then, but with some subtle differences.

Since I enjoy listening to forward-thinking musicians of the NYC jazz scene and have discussed a quite few of them already, it’s perhaps inevitable that I was going to touch on trumpeter/composer Dave Douglas. The introduction of a new Douglas CD gives me the perfect excuse to do that. ToRead More

It might be best to take Brian Eno — the electronic mastermind behind some of the most important modern rock albums by the likes of David Bowie, Talking Heads and U2 — in smaller doses than this three-disc set allows. A thinker, a tinkerer, he’s always risked much — notRead More

by Pico It was hardly a month ago when I was on this space talking up this brand new release by blues wunderkind Sean Costello called We Can Get Together. Costello really impressed me as the former guitar prodigy who was poised to take up a long-term residency at theRead More

NICK DERISO: There was a time, and not that long ago, when jazz was the music of this country’s youth — a way to rage against the machine, back when the machines were Desotos and Studebakers. So we have here a fairly novel idea: Using the staid conventions of classicalRead More

by Mark Saleski From the cool & creepy photo of the record left on Elvis’ turntable the day he died (“The Stamps”) to the beautiful and somewhat bittersweet picture of Johnny Cash and June carter, Annie Leibovitz’ American Music is just filled to overflowing with photo portraits of a wideRead More

by S. Victor Aaron Like Bonnie Raitt, Chris Smither is a blues-folk-rock singer who emerged from the Boston coffehouse scene of the sixties. Unlike Raitt, though, he never enjoyed the widespread success his colleague did, even when they both began recording careers in the early seventies. As a matter ofRead More