There’s a lot of appealing melodicism built into harmolodics, and the ‘Broken Shadows’ quartet of Tim Berne, Chris Speed, Reid Anderson and Dave King succeed in driving that point home.

Saxophonist Mars Williams joins Ross Boissoneau to discuss career-changing work by Roscoe Mitchell, Talking Heads and Albert Ayler.

Set the controls for the heart of the sun, because ‘Still Wish You Were Here: A Tribute to Pink Floyd’ is a lovely listen.

This unapologetically delivered eponymous debut from Maud was composed from deeply personal experiences, but could be inspirational to anyone.

Satoko Fujii’s Tokyo Trio as heard on ‘Moon On the Lake’ is not a conventional jazz trio but a Fujii ensemble in every sense, with the grace, sophistication, surprise and ingenuity found in her other groups.

Check out the crushed velvet-smooth slow jam “For My Love” advance single from Butcher Brown’s upcoming ‘Encore’ EP.

Reborn as a quartet, Sam Weinberg’s BLOAR is still making stimulating experimental jazz-rock that’s wild, acerbic and sometimes mathematical.

Never being in the same place at the same time, Three-Layer Cake’s Brandon Seabrook, Mike Pride, Mike Watt were somehow able to mold strongly peculiar music that fits together to form a weirdly cohesive whole ‘Stove Top.’

As we experience the hopeful signs of society coming out of a dark winter of plague, Chris Potter and his Circuits Trio are giving us music of rejuvenation with ‘Sunrise Reprise.’

Described as one of the most original voices of his generation, Daniel Bennett is only predictable in that his music will always be worth listening to.