NICK DERISO: “I’m Having Fun” arrives as advertised. That is to say, it’s a bubbly, rollicking party record, featuring King Curtis — the Fort Worth native was one of the last of the great R&B saxists — shaking a bandstand to its foundations while keyboardist Champion Jack Dupree lays inRead More

photo: Cryptogramophone by Pico The hermitic but acclaimed multi-reedist Bennie Maupin is suddenly prolific. As a sideman for Miles Davis and Herbie Hancock during fusion’s formative years, Maupin’s versatility and sensitivity across a wide variety of wind instruments garnered him work on important documents of the genre live Bitches BrewRead More

Seems writing a tragi-comedy about small town eccentrics — some on the very brink of despair, all of them building powerful dreams inside their heads — comes easy for someone who spent time in Louisiana. It has for John Dufresne, the former professor at Northeast Louisiana University turned accomplished author.Read More

Scott LaFaro, Bill Evans and Paul Motian (photo: Steve Schapiro)What can be said about Bill Evans’ classic Sunday At The Village Vanguard that hadn’t already been said so many times over? If you’re new to jazz, here’s what you need to know: it is the beginning and the end ofRead More

When Ringo Starr recently announced that he wouldn’t be responding to any more fan mail, it occurred to me that he must be completely unaware of the disastrous foibles he’s unleashed on a loving but ultimately unwitting fanbase. Certainly likeable (at one time, anyway), Starr was and is a drive-byRead More

I remember Azymuth back in the eighties as this funky little jazz fusion trio from Brazil whose sound approximated Weather Report but with some hot samba thrown in for local flavoring. The Cascades LP I had back then got a fair amount of spins and these guys were all better-than-averageRead More

by S. Victor Aaron There seems to be this wonderful trend of late, where a newer generation of bass players are following the example of Charles Mingus and presenting themselves as serious composers and bandleaders. In the last year on this space we’ve profiled the latest releases of such luminariesRead More

by Nick DeRiso Herbie Hancock almost didn’t pull off “The New Standard.” This High Concept offering from 1996 found Hancock, with varying degrees of success, adapting songs by popular artists like Peter Gabriel, The Eagles’ Don Henley, Paul Simon, The Beatles and Prince. You had to give him credit —Read More

As we like to note here so many times, there’s a lot of Miles Davis sidemen who have gone on to have notable careers of their own. Just among keyboardists, you’ve got your Bill Evans, Wynton Kelly, Herbie Hancock, Keith Jarrett and Chick Corea. There’s another fine piano player whoRead More

What better way to spend Halloween than with (as it’s lovingly referred to in the liner notes) “this thing“? “The Torture Never Stops” — a 24-song, two-hour blast of almost indescribably brilliant/crazy rock from an Oct. 31, 1981 concert by the equally brilliant/crazy Frank Zappa — affords us a uniqueRead More