by S. Victor Aaron I remember once or twice seeing the seventies folk-rock band America on one or two lists of most despised bands, and that always puzzled me. So what if the music is soft, my way of thinking goes, if the vocals are rich, the melodies robust andRead More

NICK DERISO: A crazy collision between the brassy sound of Rebirth and the great grooves of Parliament Funkadelic, LA Funk Brass Band is a party actually taking place on the bandstand. That makes sense, considering this funky roadhouse choir features a rotating set of 50-or-so performers with roots from northeasternRead More

by Pico As an acclaimed maestro on a variety of stringed instruments (violin, mandolin, guitar) Mike Marshall can call upon just about anyone in the field of progressive bluegrass to accompany him on an album. For his fresh-out-of-the-oven album Mike Marshall’s Big Trio, he sticks with acoustic guitar and enlistsRead More

NICK DERISO: “The Spirits of Our Ancestors,” pianist Randy Weston’s vibrant exploration of the African roots within jazz, remains a rapturous delight in any language. Legends Dizzy Gillespie, Idris Muhammad, longtime Basie sideman Benny Powell and Pharoah Sanders appear, while groundbreaking trombonist Melba Liston — then working for the firstRead More

by Pico Every enterprise that sets lofty goals for itself should have a yardstick for success and put forth a mission statement. You’ve probably been taught this in your high school or college business class. The creative music combo from Brooklyn, NY called Search has one. It goes like this:Read More

by Pico Fareed Haque has become one difficult dude to ignore whenever you talk about fusion these days, including world fusion. He’s come up prominently in reviews of the latest by the Dixon-Rhyne Project and the jam band supergroup he helped to form, Garaj Mahal. Of Chilean and Pakistani descent,Read More

NICK DERISO: Recorded live at the club Memory Lane in Los Angeles over a two-night stand on May 25-26, 1967, trumpeter Dizzy Gillespie’s five-track “Swing Low, Sweet Cadillac” is sometimes criticized for its brevity. Sure. There have been boxed sets produced with slighter source material. Still, Gillespie, in particular onRead More

Milton’s roots music, ruddy and real, doesn’t sound anything like his bio: New York City-based singer-songwriter. Instead, we have this sweetly gruff record, “Grand Hotel,” which stands flat-footed in the middle of the four-way intersection of folk-rock, country, blues and pop. Milton, turns out, comes by this honestly: His grandmother,Read More

by S. Victor Aaron The tenor and soprano saxophonist Ada Rovatti is a rising star in the contemporary jazz arena; a Berklee School of Music grad who hails from Italy, she’s performed with such jazz heavies as Joanne Brackeen, Miroslav Vitous, John McLaughlin and Randy Brecker. She’s appeared on Brecker’sRead More

Irma Thomas, whose Louisiana legend of a voice has darkened into a more expressive place, is taking a similar career tack. The new “Simply Grand,” in fact, finds Thomas moving deeper into the emotional underpinnings of her best work at a time when safer environs would probably be more profitable.Read More