George Winston doesn’t get tangled up with nostalgia, and in so doing creates a fuller idea of just how compelling Vince Guaraldi really was.

by S. Victor Aaron The other day for the first time I heard a song by a certain female vocalist who had just won a Grammy (or maybe 6 or 7 Grammies, for all I know). The only thing I really remember about the song is that her voice wasRead More

Photo: Juan-Carlos Hernandez by S. Victor Aaron In my humble opinion, it’s not the improvised (aka “whack”) jazz that seems toughest to compose and render, nor is it the more mellifluous but intricate modern jazz. Rather, it’s the the kind of jazz that successfully combines both approaches. To me, it’sRead More

photo: Dan Codazziby Pico This isn’t the first time we’ve featured the Rod Temperton tune made into a 1979 hit by Michael Jackson. But it bears another look, as interpreted by a completely different artist. Pianist and organist Mike LeDonne, a long established fixture in New York’s jazz arena, workedRead More

by S. Victor Aaron Baltimore native Tim Kuhl has been a drummer all his life and since 2003, has plied his trade in the rough and tumble NYC music scene. But Kuhl has not only survived, he seems to revel in it. In addition to heading up his own jazzRead More

by Pico A new John Ellis CD drops today, which is an occasion to shout an hallelujah or two. And that’s not just because Ellis serves his jazz with heaping spoonfuls of gospel, either. A couple of years ago, one of the of brightest, ascending sax stars today decided toRead More

by S. Victor Aaron They say that writing about music is like dancing about architecture, and if that’s true, then writing about whack jazz can be more like swimming about psychiatry. Often, you can’t describe a melodic or rhythmic structure because there are none. Saying so-and-so sounds like some otherRead More

A year ago, we drooled a little over a power blues record by an ascending star on the blues scene, Joe Bonamassa. Since then The Ballad Of John Henry rocketed to the #1 position on Billboard’s Blues Albums charts, #103 on its Top 200, #35 Rock chart and #1 Heatseekers,Read More

by Nick DeRiso Perhaps best remembered in jazz circles for his melodic work on the fretless (notably as a member of the Pat Metheny Group from 1977-80), bassist Mark Egan’s earliest influences couldn’t have been more far afield. A former student of Jaco Pastorius at the University of Miami, EganRead More

by Pico If I were to tell you that I’m going to discuss the sax playing skills of a certain Dutch lady, you might think I’m talking about Candy Dulfer. Not hardly. Tineke Postma (pronounced TEE-na-ka POST-ma), from Heerenveen, The Netherlands, is an alto and soprano saxophonist who has aRead More