I tend to regard unaccompanied solo records as a pretty good indicator as to how well that musician can play their instrument. Even if they play so well a capella, though, that doesn’t necessarily make it a great record. It can so easily devolve into a “look how good IRead More

by Mark Saleski I don’t have the language to properly describe most pieces of classical music, so you will rarely (if ever) see me employ words such as “sonata,” “fortissimo,” and “canon.” Besides, with this week’s passing of Polish composer Henryk Górecki, many megabytes (and ink!) have been spilled withRead More

by S. Victor Aaron Avant garde specialist Albert Beger has long been known commodity in his native Israel but not so much in America, despite having recorded with William Parker and Hamid Drake on a couple of records. Beger seeks to change that with what he considers one of hisRead More

by S. Victor Aaron The drummer and composer Mark Lomax convened a recording session with saxophonist Edwin Bayard and bassist Dean Hulett with a batch of compositions that the Blacklist co-founder wrote when he was trying to come to terms with his own identity as both an American and aRead More

by S. Victor Aaron John McNeil is a trumpet player, a veteran of the illustrious Thad Jones/Mel Lewis Orchestra and has led recording dates since 1978. Bill McHenry is a sax player, has played with Charlie Haden, Paul Motian, Henry Grimes and Norah Jones, and has led recording dates sinceRead More

by Mark Saleski Time to return to one of my favorite topics: Why do I like that? Have you ever engaged in this kind of self-debate? There are all sorts of ways to play. There’s the Top-40 angle: “Come On Eileen…Bawitdaba!? Hmmm…I better not tell anybody,” the Angle of PureRead More

Grateful Dead co-founder Bill Kreutzmann, great groovy Meters bassman George Porter Jr. and hoodoo guitarist Papa Mali have joined together.

Cassandra Wilson, who consistently defies convention as this restless chanteuse, doesn’t disappoint with Silver Pony — issued today on Blue Note as the long-awaited part-in studio, part-live followup to her celebrated Loverly. She has the vocal phrasing, the dusky intellect, of Charlie Parker and the elastic intuition of Betty Carter.Read More

Paul McCartney’s “Band on the Run” still represents the creative highpoint of his career away from the Beatles, nearly four decades later. So, to paraphrase a tune here, what’s the use in repackaging the thing again? Well, a brilliant remaster of the original tapes, which have always been a littleRead More

by S. Victor Aaron What a stellar year it’s been for Posi-Tone Records. They’ve generated record after record of honest-to-goodness mainstream jazz done with taste, style, with exceptional sidemen and flawless production. After reviewing zero releases prior to 2010, we’ve now given our impressions on a dozen releases, eleven ofRead More