Photo from Jos Knaepen/ amsterdamjazzagency.com by S. Victor Aaron When I first started the Stacks series last year, I had two formatting rules about it: each artist was to be allotted one paragraph each and there must be at least six albums examined. I’m bending both rules this time, asRead More

There was an article out this past week by Steven Hyden at the Onion A.V. website entitled How long does it take to “get” an album? Interesting stuff. I’m not sure I agree with the whole “professional critic” vs. “regular person” deal, but I can see Mr. Hyden’s point whenRead More

Photo by Steve J. Sherman by S. Victor Aaron When reviewing Vijay Iyer’s sublime piano-only disc Solo last year, I tossed out my personal maxim that “when a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy.” Well,Read More

The aptly titled Live Forever, a newly released concert set by Bob Marley and the Wailers, doesn’t sound anything like a man just moments away from the end. Instead, it underscores the indomitable spirit of the singer and his song. Marley had collapsed while jogging in New York just twoRead More

Featuring this dreamtime folk whimsy and a fabulist band name, The Ghost of a Saber Tooth Tiger sound at times like Syd Barrett, or maybe Simon and Garfunkel. Or, like an ornate, late-night 1960s French pop singer, after perhaps one too many tokes. What they don’t sound like, not really,Read More

What I want to do now is describe the “whatness” of the music of the band Rush.

You could argue that Robert Johnson, the doomed 1920s-era Mississippi bluesman, was the first rock ‘n’ roll star. Johnson certainly played the role, with his flair for the dramatic, questionable lifestyle choices and early death. More particularly, he sounded the part: Tough and honest, full of vibrancy, danger and rhythm.Read More

“Am I Blue” is a largely forgotten argument for Ray Charles’ striking ability to synthesize jazz, blues, country and gospel into music with a broader appeal. That’s saying something, considering that it appears on The Genius of Ray Charles, a half-big band/half-strings Atlantic release that became one of his mostRead More

Photo from Gary Sellers’ website by Nick DeRiso Blues guitarist Gary Sellers has a depth of passion, and a delicate touch at melding styles, that belies his youth. Whatever grade he’s in, though, Sellers has done his homework. Listening to his new recording Soul Apparatus, you hear Gregg Allman inRead More

Photo by Mark Seliger by Nick DeRiso “The Afterlife,” featured on Paul Simon’s forthcoming album So Beautiful or So What, is pulsing and sinewy — almost like a lost track from Graceland. Not that there’s anything wrong with that. See, Simon has said the premise of this new recording wasRead More