The Everly Brothers, Oct. 30, 1998: Shows I’ll Never Forget
One might think that the Everly Brothers would try to make their show into a living jukebox, but almost the opposite occurred.
One might think that the Everly Brothers would try to make their show into a living jukebox, but almost the opposite occurred.
“Rotations” is the trance-like advance single from Gerycz / Powers / Rolin’s strangely alluring pysch-folk LP, ‘Lamplighter.’
Ari Lehtela’s album is a godsend of sanity in the year the Earth stood still, getting everything right when everything else just went wrong.
“See, it takes two of us to make an Everly Brothers record,” Don Everly once told me, “and there’s just no way around it.”
Matthew Shipp and William Parker’s ‘Re-Union’ is a set of improv pieces that reveals the true extent of unity of purpose and direction that comes from more than three decades of playing together in nearly every imaginable setting.
Hearing bass legend Dave Holland playing loose and sometimes hard with other top line players in a democratic trio setting for ‘Another Land’ is just as good as you would think it would be. Maybe even a little bit better.
Jean Luc Ponty’s long-awaited comeback album ‘Life Enigma’ was issued two decades ago, reestablishing him as the world’s finest electric violinist.
Doogie White has been busy, expanding a previously released album while also forming a new project called Long Shadows Dawn.
Lyle Mays’ “Eberhard” serves as a bittersweet coda from a largely unsung brilliant musician who left us – as we learn here – still at the height of his powers.
The Who released ‘Who’s Next’ 50 years ago this week, instead of ‘Lifehouse.’ Let’s see if we can reconstruct that ever-elusive rock opera.