Sylvester has enjoyed a surge in popularity in the decades after his death. ‘Live at the Opera House’ gives new listeners over two hours of reasons why.

With ‘Breaking Stretch,’ Patricia Brennan continues to build upon her uniquely inventive style of jazz simply by building up her ensemble.

Long-time Protocol leader and former Toto drummer Simon Phillips returns with ‘Five Steps on the Sun’ from multi-instrumentalist DarWin’s self-titled group.

With ‘Zealous Angles,’ Matt Mitchell blows a gaping hole into the notion that the piano/bass/drums construct in jazz has been played out.

Released 45 years ago today, Alan Parsons Project’s ‘Eve’ was changed forever when the late Lesley Duncan stepped up to the microphone.

Henry Hey and Forq continue a tradition of engaging, amazing and confounding listeners with their fifth studio release, ‘Big Party.’

Catherine Russell takes a stripped-down approach on ‘My Ideal,’ adding nuance and style to pop and jazz standards while relying solely on Sean Mason’s piano.

‘A Hard Day’s Night’ premiered in the U.S. in August 1964, catapulting the Beatles into stratospheric fame.

Progressive banjo player Alison Brown discusses career-shaping music by Earl Scruggs, the Nitty Gritty Dirt Band and David Grisman.

Preston Frazier was joined by Bernie Chiaravalle to discuss his latest release, ‘Chiara Destino,’ and choosing the perfect cover songs.