Highly individual artists on their own when they got together the first time, Sylvie Courvoisier and Mary Halvorson forge a highly individual piano/guitar duo for ‘Searching for the Disappeared Hour.’

Released 15 years ago this week, J.J. Cale and Eric Clapton’s ‘The Road to Escondido’ was the kind of record I would not have “gotten” in my teens.

Here’s a look back at a handful of gems from Joni Mitchell, including an intriguing demo from the 50th anniversary reissue package for 1971’s ‘Blue.’

Released 35 years ago today, ‘Menlove Ave’ contains unvarnished demos and other miscellaneous musings cut by John Lennon during mid-’70s sessions.

Zeelley Moon is piano-driven, clever song-orientated music, with glances at bands like Supertramp, 10cc, Klaatu (circa the album ‘Hope’) and Garden Shed.

Before ‘One More Drifter’ arrived 15 years ago today, I couldn’t have imagined that Aimee Mann would do a Christmas album – or that I would love it so much.

Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’

Chris Church’s third solo album ‘Backwards Compatible’ disappeared in the spring of 2020 as the pandemic panic took hold. Now, it’s getting a second chance.

From two very fertile musical minds come endless ways to approach a duet. with ‘Any News,’ Satoko Fujii and Alister Spence don’t even need to plug in and be in the same room to make theirs compelling.

James Brandon Lewis typically alters his approach from album to album but with his forceful new quartet, the second go-around ‘Code of Being’ is not a bad idea at all.