Lightnin’ Hopkins’ newly reissued ‘Last Night Blues’ pays homage to the roots of blues while also inviting new listeners to appreciate its timeless appeal.

A band that pairs a Fender Rhodes player with a pianist and no bass perhaps shouldn’t work, but with sheer flair that not only overcome that challenge, Kira Kira utterly thrives in it.

Mile Marker Zero’s ‘Coming of Age’ is a great modern progressive rock record that recalls the musical joys of another era.

Here is the world streaming premiere of “Avrils,” from alto saxophonist Michael Attias’ upcoming new album ‘Quartet Music Vol. II: Kardamon Fall.’

The Necks’ ‘Bleed’ is briefer but there remains plenty of time to insert many small intriguing new twists into their incomparable brand of modern, minimalist music.

Dave Bainbridge may be the best progressive rock keyboardist that’s flown under your radar.

Long-time Guess Who frontman Burton Cummings’ new solo album ‘A Few Good Moments’ proves that Winnipeg’s favorite Northend son is still rockin.’

Chris Greene joins us to discuss the forthcoming ‘Conversance,’ his first studio effort since 2017’s ‘Boundary Issues.’

Throughout ‘Luminary,’ Tonino Miano often takes chances and stretches out while somehow making the music very melodic and pretty at the same time.

Heartbroken over the loss of Linda, Paul McCartney began a creative resurgence 25 years ago this week with the throwback ‘Run Devil Run.’