‘Inimitable’ is an intimate solo acoustic bass recording where Michael Bisio seemed to have plowed ahead and played with a lot of heart and instinct with not too much forethought.

Zan Zone’s ‘It’s Only Natural’ is all over the place, and it’s all over the place in a wonderful all over and very eclectic place way.

‘Tattoo You’ could easily be called the Rolling Stones’ last really good album of original material, given that ‘Blue and Lonesome’ was a covers project.

Similarities to Weezer and Fountains of Wayne abound on ‘Conflagration Vespers,’ but the Craig Torso Show possesses more of an experimental edge.

Caravan gets a chance to “do it all over again” with ‘It’s None of Your Business’ – and thankfully, they “do it all over again” really quite well.

Mark Saleski offers an in-depth examination of Bruce Springsteen’s ‘Nebraska,’ which was primarily recorded 40 years ago today.

Sometimes you want great chops and sometimes you just want good time music. Scary Goldings’ ‘IV’ has got both covered.

On Burnt Belief’s ‘Mutual Isolation,’ the music takes another step forward in the band’s progression with a relative ‘back to basics’ approach. That’s all due to the limitless creativity and musicianship of Colin Edwin and Jon Durant.

‘Smoke Sessions’ is one of Nicholas Payton’s standouts because in paying homage to some of his idols, Payton does so in an offhand manner that reveals his own inimitable musical personality.

Every Burnt Sugar the Arkestra Chamber project was treated as a major work by the late Greg Tate, and with ‘Angels Over Oakanda,’ he leaves intact his legacy of leading a band of boundless imagination and chops.