Mamas Gun – ‘Cure the Jones’ (2022)
Mamas Gun offers a Thom Bell-inspired neo-soul message of hope and regrowth from seeds that have survived the harsh COVID winter.
Mamas Gun offers a Thom Bell-inspired neo-soul message of hope and regrowth from seeds that have survived the harsh COVID winter.
The triumph of Anthony Fung’s ‘What Does It Mean to Be Free’ comes from distilling all of his bountiful ideas into an articulate and unified set of works.
Released 55 years ago, ‘Bees Gees’ 1st’ has since somehow disappeared from the public consciousness.
Gentle Giant said a too-early goodbye with ‘Civilian,’ a tightly wound album which tried to acclimatize their sound to the new wave of British rock.
Preston Frazier discusses the new album ‘Precarious Towers’ with Johannes Wallmann, who we last spoke with about 2018’s terrific ‘Love Wins.’
“West Side Jet” is the newest single from the Andy Platts/Shawn Lee yacht-rock project Young Gun Silver Fox. It’s the perfect song to start this summer.
Mind-altering music is usually about textures; Jaimie Branch and Jason Nazary do that part well while also bringing their improvising gifts to the table.
‘Cascadia’ confirms Dmitri Matheny’s rightful place as the heir to the flugelhorn giant and his old mentor, the late great Art Farmer.
Here is the video premiere of “Bouncin’ at Bonafide” by talented Toronto up-and-coming saxophonist Jacob Chung and his quintet.
Sadly, ‘Clockwork Angels’ arrived 10 years ago as their final studio effort. But this was no mere shelf-filler: This was pure Rush.