A memorial gathering for Peter Banks has been set for 4 p.m. April 7, 2013 at the 12 Bar Club in London, offering those who loved and knew him best a chance to give the seminal Yes guitarist a proper send off. You May Also Like: Robbie Dupree, Chicago, Yes’Read More

Last week marked the 50th anniversary of a cultural revolution: the release of the Beatles’ Please Please Me. Their first effort, recorded over 12 hours on a single day, stands as one of the most impressive debuts in rock history. You May Also Like: The Beatles, “Boys” from Please PleaseRead More

Serendipity is, to put it succinctly, a forty-three minute improvisation among Ivo Perelman, Matthew Shipp, William Parker and Gerald Cleaver. You May Also Like: Ivo Perelman, William Parker, Gerald Cleaver – The Art Of The Improv Trio, Volume 4 (2016) Daniel Carter, Matthew Shipp, William Parker, Gerald Cleaver – ‘WelcomeRead More

Touring behind Momentum, a rare, mostly secular solo effort after years of focusing on Christian prog, Neal Morse connects the dots between what has often been perceived as two separate portions of his career. You May Also Like: Neal Morse Did It All (Again) on ‘Songs from November’

I love a good surprise. This week it was my discovery of Kid Koala. You May Also Like: Steely Dan, “Kid Charlemagne” from ‘Northeast Corridor’ (2021): Steely Dan Sunday Sue Foley – ‘Pinky’s Blues’ (2021)

We also take a look back at Jon Anderson’s time alongside the late Peter Banks, with whom he co-founded Yes.

With her assertive It Matters To Me, the final disc in a three-EP series, Kat Parsons moves beyond more recent successes within quiet folkie settings and sweetly conveyed pop tunes. You May Also Like: Alan Parsons Project somehow remains faceless, despite hitting big with Eye in the Sky

It was only about a year ago when we last apprised a new album by the restless improvisational saxophonist from Sao Paulo, Ivo Perelman. Since that time, Perelman had put out another three albums, all trio records. You May Also Like: Ivo Perelman, William Parker, Gerald Cleaver – The ArtRead More

This song, a new live interpolation of a Miles Davis cut from 1961’s Someday My Prince Will Come, might be the best argument Nicholas Payton has ever made for the use of the term Black American Music (or #BAM) instead of jazz. You May Also Like: Nicholas Payton – ‘SmokeRead More

The inspiration that led to Pink Floyd projects like Dark Side of the Moon, Wish You Were Here and The Wall has been endlessly dissected. People talk about modern isolation, departed bandmates, the scourge of war. Not quite. You May Also Like: No related posts.