When Brandon Seabrook does a solo banjo and guitar project as he did with ‘Object of Unknown Function,’ there’s even more of his uniqueness to ponder, appreciate and – yes – enjoy.

‘The Data’ is some of Matthew Shipp’s most heartfelt and ardent of his solo piano albums, informed with a lifetime of jazz and classical studies behind it.

Henry Hey goes in depth with Preston Frazier on ‘Big Party,’ the latest album from his band Forq.

‘Conversance’ picks up where the Chris Greene Quartet left off with 2017’s ‘Boundary Issues,’ showcasing the arranging and playing talents of each band member.

Lightnin’ Hopkins’ newly reissued ‘Last Night Blues’ pays homage to the roots of blues while also inviting new listeners to appreciate its timeless appeal.

A band that pairs a Fender Rhodes player with a pianist and no bass perhaps shouldn’t work, but with sheer flair that not only overcome that challenge, Kira Kira utterly thrives in it.

Mile Marker Zero’s ‘Coming of Age’ is a great modern progressive rock record that recalls the musical joys of another era.

Here is the world streaming premiere of “Avrils,” from alto saxophonist Michael Attias’ upcoming new album ‘Quartet Music Vol. II: Kardamon Fall.’

The Necks’ ‘Bleed’ is briefer but there remains plenty of time to insert many small intriguing new twists into their incomparable brand of modern, minimalist music.

Dave Bainbridge may be the best progressive rock keyboardist that’s flown under your radar.