Mamas Gun closed out this five-song collection with “Saint Maria,” dedicated to the patron saint of teenaged women and victims of sexual assault.

Tim Berne’s and Gregg Belisle-Chi’s ‘ZONE 1’ completes a one-two punch of sax/guitar performances which are distinct from each other but at the highest level.

Far from a reinvention, ‘Music From Another Dimension’ arrived 10 years ago this week as another rehash of ideas from some of Aerosmith’s weakest records.

Here is a light-hearted new Christmas ditty from the 1957 Tail-Fin Fiasco, based on a John Hughes short story that gave rise to the classic film ‘Christmas Vacation.’

Released 15 years ago this week, Levon Helm’s ‘Dirt Farmer’ was so determinedly rustic that it made the Band sound like sleek electronica.

Released 10 years ago today, Neil Young’s ‘Psychedelic Pill’ was a fiery ’60s requiem that also charted the path away from its crushing disappointments.

Kirk Knuffke and Michael Bisio’s instinctual interaction on ‘For You I Don’t Want To Go’ makes their duets much more than just an exchange of chops; it’s a very personal engagement of two souls painting musical art together.

I’d never heard anything like ‘Never Mind the Bollocks, Here’s the Sex Pistols’ when it arrived 45 years ago today. My parents hoped they never would again.

Ivo Perelman and Matthew Shipp both thrive on finding different partners with which to exchange fresh ideas, but they always return to this special duo.

Not many people can create music that strongly evokes the sounds of a century ago but remains experimental. That comes naturally to Ross Hammond.