‘Artificial Intelligence’ has certain qualities brought by Elliott Sharp that are novel even by Ivo Perelman’s standards.

Released 40 years ago this week, ‘The Final Cut’ presented Pink Floyd songs as nothing more than infrastructure for Roger Waters’ narratives.

Released 50 years ago, “Sail On, Sailor” was a highlight of a Beach Boys era marked by seismic change, both musically and visually. It wouldn’t last.

Pianist and composer David Ake continues to make his infrequent releases count. ‘Green Thumb’ is plenty good enough the savor until Mr. Ake is ready to make another quality collection of modern and mainstream jazz.

‘The Next Day’ found David Bowie making a surprise return 10 years ago this month, but without the old theatrics and an artsy agenda.

‘Voortvlugtend,’ from South African cult-favorite Buckfever Underground, simply begs for repeated listening – preferably wearing big, scruffy earphones.

The Vincent Meissner Trio found a perfect moment that covers youth and European, turning a brisk cover of “Young Folks” into an appealing jazz song.

The music on ‘Ribbon of Water’ is delicate, yet woven through with a lyrical strength that comes from the experiences Andrea Ward clearly taps into.

Seven albums in, the Kaze concept shows no sign of going stale. Every time out they freshen that concept in ingenious ways and ‘Crustal Movement’ with Ikue Mori returning is their most audacious undertaking yet.

Songs that didn’t make the Beatles’ original U.K. albums and the ‘Magical Mystery Tour’ LP were collected 35 years ago today on ‘Past Masters.’