If Kate Gentile is capable of a major statement like ‘b i o m e i.i,’ there’s nothing she’s incapable of.

As we await ‘Mirror to the Sky,’ remember that the music will do the talking – and Yes music has always been worth the listen.

Since members of the Vampires have previously collaborated with each member of the Necks, Chris Abrahams’ inclusion in the former group for the attractive new release ‘Nightjar’ makes this addition by addition.

‘Pipe Dream’ is challenging but satisfying chamber jazz from a quartet that instinctually knows each other, with Lina Allemano relentlessly pushing forward.

There’s no one like Carl Weingarten and his new retrospective ‘The Simian River Collection’ will make you like his music, like no one else’s.

‘Blue Room: The 1979 Vara Studio Sessions in Holland’ captures the trumpet icon Chet Baker playing in peak form in this long-lost treasure now finally released by Zev Feldman’s Jazz Detective label.

Guitarist Vernon Reid joined Something Else! to discuss Living Colour’s strikingly inventive debut ‘Vivid,’ which arrived 35 years ago today.

Recorded 50 years ago, Gram Parsons’ ‘Grievous Angel’ was an artistic triumph even though it never climbed higher than No. 195 on Billboard’s album chart.

Adrian Belew has worked with Frank Zappa, the Talking Heads, the (wonderful!) Bears and, of course, with King Crimson – but this is his one-man show.

Dan Rosenboom finds a powerful conduit for his creative ideas from an all-star quintet, enabling him to fulfill the promise of all of his compositions with the no-compromises ‘Polarity.’