S. Victor Aaron picks the best of 2014’s non-jazz albums, including Lucinda Williams, Me’Shell Ndegéocello, Drive-By Truckers and others.

A previously unheard song from blues legend Huddie “Lead Belly” Ledbetter finds him in an impish mood, even while losing a battle with ALS.

If AC/DC’s ‘Rock or Bust’ ends up being the final album in the history of classic rock, well, that’s probably OK.

Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.

The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.

The majesty of Jeff Beck at his best isn’t just his technical prowess. It’s how he charges through boundaries like a paper pre-game banner.

Here is a review of Nick Hempton’s “Montauk Mosey,” a nightcap tune done up faithfully in the classic jazz style.

Tony Levin takes us to the genesis of this Scott Schorr co-produced effort, and talks about the possibility of future projects with Pete Levin.

Help saxophonist Greg Ward reach his funding goal for the next Fitted Shards album.

What happens when the Hungarian thrash-jazz trio JÜ meets the Norwegian sax firebrand Kjetil Møster? Fury, foreboding and fireworks.