‘Catching Ghosts’ with Majid Bekkas and Hamid Drake is a fine keepsake from Peter Brötzmann’s recent comeback, capturing an old soul taking chances with a fire still in his young heart.

By expanding his band into an orchestra for ‘The Other One,’ Henry Threadgill demonstrated that his deviceful musical ideas are not only scalable, but eminently enduring.

Richard Davies’ thoughtful and engaging ‘Cosmic Odyssey’ is an example of why we should follow our dreams – literally.

If Kate Gentile is capable of a major statement like ‘b i o m e i.i,’ there’s nothing she’s incapable of.

As we await ‘Mirror to the Sky,’ remember that the music will do the talking – and Yes music has always been worth the listen.

Since members of the Vampires have previously collaborated with each member of the Necks, Chris Abrahams’ inclusion in the former group for the attractive new release ‘Nightjar’ makes this addition by addition.

‘Pipe Dream’ is challenging but satisfying chamber jazz from a quartet that instinctually knows each other, with Lina Allemano relentlessly pushing forward.

There’s no one like Carl Weingarten and his new retrospective ‘The Simian River Collection’ will make you like his music, like no one else’s.

‘Blue Room: The 1979 Vara Studio Sessions in Holland’ captures the trumpet icon Chet Baker playing in peak form in this long-lost treasure now finally released by Zev Feldman’s Jazz Detective label.

Guitarist Vernon Reid joined Something Else! to discuss Living Colour’s strikingly inventive debut ‘Vivid,’ which arrived 35 years ago today.