The Association’s chart-topping “Cherish” was the epitome of the romantic pop ballad, but Terry Kirkman wrote far more – and far more interesting – songs.

Jeff Oster found collaborators perfect for taking his music into fresh territory, revitalizing it without stripping out its highly individual Oster character for his lo-fi hip hop album ‘hØwling lØØn.’

Stephen Stills’ only platinum song performance wasn’t on Buffalo Springfield’s “For What It’s Worth,” nor his own “Love the One You’re With.”

With ‘How I Learned to Love the Freaks,’ Vinny Peculiar emerges from the hazy smoke of late-’60s youth counter-culture with a clever psych-rock album.

Yes scored a No. 1 hit single 40 years ago, prompting a lengthy, hugely successful international tour. Then they reached Argentina.

Wilma Baan’s ‘Look at Me Now’ launched at Pizza Express Live in London and has received impressive reviews.

Neil Young memorably tipped his hat to Bob Dylan two decades ago on ‘Greendale,’ but only after years of staying far away from his work.

Jeff Lorber shows no sign of running out of fuel, and ‘The Drop’ shows he’s putting everything into his craft today, just as he did some 30 albums ago.

It’s unclear whether Roger Waters’ pending remake of the Pink Floyd classic ‘Dark Side of the Moon’ will once again sync up with ‘The Wizard of Oz.’

David Byrne’s suit became a defining image from the Talking Heads’ ‘Stop Making Sense’ – and a key element in the clip announcing the film’s new re-release.