Released 15 years ago this week, B.B. King’s ‘One Kind Favor’ began with a dying plea: “When the day comes, don’t forget me.” No chance of that.

As King Loosestrife, Brett Nagafuchi offers a mishmash of alluring ideas that are often cohered by a theme of creatively atypical approaches.

Neil Young and Crazy Horse’s ‘Greendale’ arrived 20 years ago this week as an exploration of murder, art and intrigue in a mythical coastal California town.

With Naya Baaz’s ‘Charm,’ Rez Abbasi and Josh Feinberg channel their adventurous spirits into spiritually satisfying music.

The creation story of ‘From a Page’ involves a previous lineup of Yes in effect co-opting the current lineup in order to make a new record.

Ross Hammond calls ‘Batch 8’ “stripped-down groove music,” with songs that are simple riffs that serve as the stage for tasteful guitar performances.

From the Broadway scrap heap to a widely interpreted jazz standard, “Darn That Dream” has had quite the journey.

Bob Dylan has played with a lot of electric guitarists. Fine players, all. One stands alone, however, in this long musical history: Robbie Robertson.

With ‘Excuse Me While I Vanish,’ William the Conqueror has created a red-hot guitar sermon with good old-fashioned rock-trio insight.

Lyia Meta’s ‘Always You’ embarks on a jazz-pop journey, exploring her take on love, life and fun with songwriting collaborator Denise Dimin.