In creating ‘Worlds In A Life, Two’ on the fly, Thollem put the impulsiveness into this recycled music that you can’t get by pondering over it too long.

Nektar boldly carries on despite the loss of beautiful members with the upcoming double album ‘Journey to the Other Side: Live at the Dunellen Theater.’

‘Hello Sailor’ is pure fun ’70s rock through a Kiwi lens, with songs boasting elements of funk, R&B, psychedelic, and even a bit of a Polynesian influence.

Nick Finzer, Christian Fabian and Rachel Z are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

‘Lucid/Still’ captures a live performance of Tim Berne, Hank Roberts and Aurora Nealand’s unique brand of improvised chamber music.

The Matthew Shipp Trio’s ‘New Concepts in Piano Trio Jazz’ further obliterates the line between composed and cursive, allowing for prettier melodic development while retaining all the element of surprise.

The Bee Gees were in a precarious position 55 years ago when their only original double album was first released in the UK. They turned in a masterpiece.

After helping other artists come into their own, Josh Johnson’s time has come with ‘Unusual Object,’ an album that elegantly operates in the vanguard.

With ‘The Love Insane,’ Wabi Sabi learned new ways to piece together an LP, using various pieces recorded in various locations rather than having each other present.

Billy Joel’s last album of pop-rock music was 1993’s mediocre ‘River of Dreams,’ but this single shows there is still talent burning.