Rachel Sutton’s ‘Realms’ is a gorgeous album, skillfully put together with the perfect mix of emotion, light-hearted numbers and good ballads.

Boasting a stark yet approachable feel, Fernando Perdomo’s ‘Clouds 2’ quickly distinguishes itself from ‘Clouds’ and the preceding ‘Waves’ series.

Here is the video premiere of Luis Nacht and Camila Nebbia’s “Me condiciona el nombre,” from their collaborative 2026 album ‘Noche y Niebla.’

New drummer Asaf Sirkis didn’t remake Soft Machine in his image but adds a piece that helps to keep a band started in 1966 viable in 2026 with their newest studio album ‘Thirteen.’

Devin Gray has always successfully tackled challenging music, but the Berlin Underground bent of ‘Hz Of Gold’ may be the biggest challenge he’s met yet.

Triple Blind’s ‘Cold Walk’ chronicles a band finding its signature approach to contemporary jazz that combines that headiness of modern jazz with the freshness of today’s indie pop.

Brandon Seabrook puts all sides of his virtuosity to work on ‘Hellbent Daydream:’ imaginative composition, elite musicianship and band leadership.

‘In My Dreams’ is a perfect reminder of why Bill Frisell one of the most important figures of American music, always connecting the majesty of the past with vision for taking it into the future.

As Robbie Robertson’s health deteriorated, the Band legend was at work with his son on an award-winning television theme. Sebastian Robertson remembers.

What is striking about the Antonio Farao and Stephane Belmondo Quartet’s ‘Do It!’ is how it unites traditional jazz influences with improvised, free playing.