Mary Halvorson – Code Girl (2018)
The term “code girl” came randomly out of the mouth of Halvorson’s primary mentor Anthony Braxton but it could have easily been directed at Halvorson herself
The term “code girl” came randomly out of the mouth of Halvorson’s primary mentor Anthony Braxton but it could have easily been directed at Halvorson herself
The Beatles’ darkly experimental “Long, Long, Long” foreshadows a frequent trope in George Harrison’s solo work: comparing spiritual and romantic love.
When Lindsey Buckingham’s terrific ‘Live at Bass Performance Hall’ arrived 10 years ago on March 25, 2008, I realized that I had forgotten some of the minor hits.
I found a bunch of albums – including Lynyrd Skynyrd, INXS and others – that I didn’t know I had. In fact, I can’t say why I wanted them in the first place.
I know “If You Leave Me Now” was Chicago’s first No. 1 hit, but maybe they should strike it from the setlist permanently.
A singer with a 14-letter, consonant-rich last name might find an obstacle to fame but Basia Trzetrzelewska became an international pop star anyway.
You won’t gain any academic knowledge about the human heart from listening to ‘Heart Tonic,’ but it’s clear Caroline Davis invested all of hers.
‘Jazz: Outside the Box’ is a fascinating and often exhilarating look at Los Angeles-based keyboardist David Garfield’s vision of straight-ahead jazz.
If “Walk It Off” is any indication, the forthcoming ‘#3’ will be another feather in the Guatemalan-born, Texas-based Leslie Johnson’s cap.
Featuring calm and quiet vocals, Joe Merklee’s new EP ‘July’ exudes a deceptive strength, with delicate melodies that really sneak up on you.