The Claudio Scolari Project raises the stakes for ‘Opera 8,’ an especially adventurous effort from a band for which adventure is their calling card.

Everything on Nick Millevoi’s meditative ‘Moon Pulses’ points to conceiving a single idea and a single-minded determination to bring that idea to fruition.

Mike Tiano interviews Steve McKnight, whose GayC/DC tribute band brings together the many eras of AC/DC – but with a decidedly different slant.

If record execs and promoters had any idea what to do with Dragon, this fun, accessible New Zealand power pop band could have been big in America.

Now out in complete, remastered and legal form, ‘Poppin’ in Paris: Live at L’Olympia 1972′ should serve to get Cannonball Adderley’s final era the attention it deserves.

I saw Dickey Betts during a unique era for the Allman Brothers Band: Duane Allman was gone but bassist Berry Oakley was still alive.

For the Christian Marien Quartett, the new album ‘How Long Is Now’ means not just living in the current moment, but thriving and getting full enjoyment from it.

You simply can’t discuss Aussie pub rock without mentioning Cold Chisel.

May the Seattle Cinerama rest in peace. Long live the SIFF Cinema Downtown.

With James Brandon Lewis and the Son Lux rhythm section, Dave Douglas keeps pushing forward fresh ideas with that same old vigor he’s had from the start.