The formula for Jeff Oster’s ‘Reach’ remains a familiar one, but it sounds just a little more refined now.

The man who specialized in “every sound there is,” Geoff Emerick left a lasting impact on music that will forever be celebrated.

Ultimately, Cypress Hill’s ‘Elephants on Acid’ is a good record, but not the great one that I hoped for after hearing its opening salvo.

Max Moran joins Preston Frazier to discuss his new studio project ‘Neospectric,’ the close-knit musical culture of New Orleans, and his favorite albums.

Here is the video premiere of Brass Magic’s “Journey Around the Lake.”

Robert Walter’s 20th Congress was always about making fun party music out of jazz; ‘Spacesuit’ just takes it out to the final frontier.

Wayne Shorter has delivered a late-period masterpiece: The music on ‘Emanon’ is wonderful, the expectation delivered.

Huw Gower’s commitment to the sound and style of his former band the Records rings loud and clear on the newly reissued ‘Guitarophilia.’

The big accomplishment of the first ‘Dirigo Rataplan’ was in Devin Gray’s insight in conceptualizing ways to get the most out of his fellow musicians and himself. That’s the same kind of brilliance found on ‘Dirigo Rataplan II.’

‘Change In The Air’ is the same sort of capacious, thoughtful and lyrical sound from Cuong Vu’s 4-Tet as it’s always been but now it feels more of four major voices than ever before.