Lucas Lee’s albums are as involving as instrumental rock can be. That’s a testament to his skills as a writer, arranger and musician.

Aaron Parks’ progressively minded ‘Little Big’ might not be the direction jazz is currently headed, but it should be.

Shooter Jennings decided to title his return to country music after himself, but it could just as easily be called ‘Junior’ or ‘Bocephus.’

‘Adrift,’ the new duo-piano album from Sam Leak and Dan Tepfer, is delightful, strong and vibrant.

The formula for Jeff Oster’s ‘Reach’ remains a familiar one, but it sounds just a little more refined now.

The man who specialized in “every sound there is,” Geoff Emerick left a lasting impact on music that will forever be celebrated.

Ultimately, Cypress Hill’s ‘Elephants on Acid’ is a good record, but not the great one that I hoped for after hearing its opening salvo.

Max Moran joins Preston Frazier to discuss his new studio project ‘Neospectric,’ the close-knit musical culture of New Orleans, and his favorite albums.

Here is the video premiere of Brass Magic’s “Journey Around the Lake.”

Robert Walter’s 20th Congress was always about making fun party music out of jazz; ‘Spacesuit’ just takes it out to the final frontier.