On the Genius (and Ubiquitousness) of Saxophonist David Sanborn
Often situated in a cloud of opaque neo-funk, the late David Sanborn’s talents could be understandably obscured. Yet, there’s no mistaking, or escaping, that tone.
Often situated in a cloud of opaque neo-funk, the late David Sanborn’s talents could be understandably obscured. Yet, there’s no mistaking, or escaping, that tone.
Spin-offs usually aren’t as successful as the original thing. That axiom never applies to Ivo Perelman projects, though, and for ‘Duologues 1-Turning Point,’ a peak performing Perelman gets Tom Rainey’s best.
The Internet Archive contains a treasure trove of audio for Beatles fans. On the 60th anniversary of Beatlemania, Mike Tiano takes a deep dive.
Jeff Oster, Vin Downes and Tom Eaton prove with ‘Seven Conversations’ that ambient or New Age music doesn’t have to be planned to be good.
For ‘Adityahridayam 321,’ David Torn is leveraging technology and musicianship in the service of impulsive creativity like no one else can.
Like a fingerprint or snowflake, Ivo Perelman’s and Matthew Shipp’s ‘Magical Incantation’ is unique within a collection of other unique tie-ups even if the basic approaches are similar.
I’m probably in the minority of Yes fans, but I didn’t think much about the 1994 album ‘Talk.’ Will an expanded anniversary reissue change that?
Emphasizing a loosely-structured, open approach, the Tomeka Reid Quartet builds on the success of the prior two outings with ‘3+3.’
An impatient teacher slapped Eddie Van Halen’s hand after a few bad notes, then looked at author Steve Rosen with a look that said, “What the f— did I just do?”
If you were to take Southern rock and put it in a blender with British blues rock, then add a dollop of Vegemite, you’d get Kahvas Jute.