Satoko Fujii Orchestra Tokyo – ‘Kikoeru, Tribute to Masaya Kimura’ (2018)
This completes a year-long celebration of Satoko Fujii’s 60th birthday with the same inventiveness, grace and genius shown throughout the entire series.
This completes a year-long celebration of Satoko Fujii’s 60th birthday with the same inventiveness, grace and genius shown throughout the entire series.
For 30 years now, I’ve been asking myself: “How would the ‘speechless’ know to ‘unite in a silent accord'”?
Casey Golden still has a knack for subtly subverting jazz from within by bringing in indie-rock sensibilities.
A quarter century of musical association between Matthew Shipp and Mat Maneri continues with ‘Conference of the Mat/ts.’
Makaya McCraven’s ‘Universal Beings’ is a handmade mishmash of sounds that isn’t alien, but is never completely familiar, either.
Ringo Starr may have been the only member of the Beatles to appear on “Good Night,” but it was very much a group effort.
The ample leftovers from Walter Becker’s ‘Circus Money’ sessions continue to be pulled out of the fridge, warmed in the microwave and set on the table for feasting.
Wendy Eisenberg is elbowing her way to the vanguard of guitarists who radically rethink the guitar as Machinic Unconscious Trio proves that she can shine in the company of New York’s best.
As an old school guy who thrives in the outer reaches of jazz, Andrew Lamb leads another formidable trio date ‘Casbah of Love’ with a lot of both head and heart.
“A good audience can really lift a player to great heights,” Ginger Baker says, “almost like they are playing the musician.”