Wynton Marsalis Finally Learned How to Have Fun Again With ‘The Magic Hour’
Wynton Marsalis signed with the Blue Note label 15 years ago, then released an album worthy of that bastion of earthy joy.
Wynton Marsalis signed with the Blue Note label 15 years ago, then released an album worthy of that bastion of earthy joy.
Reaching within his household for inspiration, bass master Joe Martin takes a rare turn leading a star-studded group.
An homage to Vertical Horizon frontman Matt Scannell’s influences and favorite artists, ‘The Lost Mile’ also features a seemingly unlikely collaboration.
‘Echos la nuit,’ which translates into “echoes the night,” is a unique moment for Michaël Attias: This is his first unaccompanied album.
Standing at only three feet tall, Michel Petrucciani showed during one summer evening with jazz giants Gary Peacock and Roy Haynes that he himself was a giant.
10 years ago, Justin Townes Earle’s ‘Midnight at the Movies’ showed that simple and bold can certainly outshine complex and epic.
Catherine Russell returns with a new album of standards that showcases both her gift as an interpreter and her passion for the music.
Can both transcendental and earthly jazz coexist on the same record? With ‘In the Key of the Universe,’ Joey DeFrancesco answers with an emphatic ‘yes.’
Is this Beatles deep cut a parody of blues cliches, or John Lennon’s sincere cry for help?
‘Cyperpunk’ was supposed to be an evolution. Instead, it almost ended Billy Idol’s career.