Garden District Trio – ‘Upward’ (2019)
The Garden District Trio’s ‘Upward’ emphasizes the currently in-vogue NOLA beat – and, with this trio, it’s expertly delivered.
Something Else!
How Joe Bonamassa Finally Arrived With ‘The Ballad of John Henry’
10 years ago this week, Joe Bonamassa discovered the perfect balance between his penchant for blues covers and ’70s-style hard rock.
Nick Hempton – ‘Night Owl’ (2019)
The deep soul of ’60s organ jazz is at the heart of Nick Hempton’s latest venture.
Chris Potter – ‘Circuits’ (2019)
‘Circuits’ is another directional change for the supremely talented Chris Potter, but with the same high mark of accomplishment and ingenuity that’s found on nearly all of his recordings.
Chris Greene Quartet – ‘PlaySpace’ (2019)
Chris Greene offers an unexpected post-Valentine’s Day treat in the form of a live recording from the Evanston, Illinois venue Space.
Nate Wooley – ‘Columbia Icefield’ (2018)
Nate Wooley finds insight for his music from a glacial landscape and, like its namesake, his own ‘Columbia Icefield’ is far out and expansive.
Kuzu (Dave Rempis, Tahi Dorji, Tyler Damon) – ‘Hiljaisuus’ (2019)
Performances like these are often called “spontaneous compositions” but in the case of Dave Rempis’ Kuzu, they’re often spontaneous combustions.
David Ian’s ‘Valentine’s Day’ Made Romance Romantic Again
Released five years ago, David Ian’s ‘Valentine’s Day’ deftly explored the contours of romantic moods – from the lusty to the lovely.
Anton Eger – ‘Æ’ (2019)
Avant-garde but never off putting, Anton Eger’s ‘Æ’ is a weird record, but weird in a great way.
Graham J. – ‘Cry’ (2019)
Cabaret-noir singer Graham J.’s ‘Cry’ is an album of surprises, one which hits you both aurally and emotionally.
