Horse Lords make instrumentals that are largely unlike anything you’ve heard before but through clever and deliberate planning, make wildly disparate songs that draw you in all the same.

#Bloomerangs has achieved something which is not easy on ‘Moments and Fragments,’ linking many different influences and musical references.

There’s a roomful of artistic capacity between just Mike Keneally and Scott Schorr. ‘MFTJ’ puts it to good use.

Here is Butcher Brown’s new, smooth-as-a-baby’s-behind rendition of Ronnie Laws’ hypnotic groover from 1975, “Tidal Wave.” Good call for bringing such a fresh jam from the mid-70’s out of obscurity, as Black Moon did a generation ago.

Don Felder sideman Jeff Coffey stopped by to discuss his new solo project, what it’s been like reconnecting with former Chicago bandmates and his plans for what’s next.

Bassist and producer Paul Bryan’s ‘Cri$sel Gems’ is a very consistently satisfying set of retro-fusion tracks.

What if Riders in the Sky and Leon Russell decided to work with A Tribe Called Quest, and the Roots served as producers? Future Cowboys provides the answer.

After decades of honing their skills on the covers circuit, the Overtures have channeled their instincts into something bright and bountiful.

Circles Around the Sun first gestated when Neal Casal was assigned to come up with intermission music for the Grateful Dead’s Fare Thee Well dates.

Proclaiming Brownout to be a funk powerhouse seems like hyperbole – until you listen to their new album, ‘Berlin Sessions.’