There’s a roomful of artistic capacity between just Mike Keneally and Scott Schorr. ‘MFTJ’ puts it to good use.

Here is Butcher Brown’s new, smooth-as-a-baby’s-behind rendition of Ronnie Laws’ hypnotic groover from 1975, “Tidal Wave.” Good call for bringing such a fresh jam from the mid-70’s out of obscurity, as Black Moon did a generation ago.

Don Felder sideman Jeff Coffey stopped by to discuss his new solo project, what it’s been like reconnecting with former Chicago bandmates and his plans for what’s next.

Bassist and producer Paul Bryan’s ‘Cri$sel Gems’ is a very consistently satisfying set of retro-fusion tracks.

What if Riders in the Sky and Leon Russell decided to work with A Tribe Called Quest, and the Roots served as producers? Future Cowboys provides the answer.

After decades of honing their skills on the covers circuit, the Overtures have channeled their instincts into something bright and bountiful.

Circles Around the Sun first gestated when Neal Casal was assigned to come up with intermission music for the Grateful Dead’s Fare Thee Well dates.

Proclaiming Brownout to be a funk powerhouse seems like hyperbole – until you listen to their new album, ‘Berlin Sessions.’

With Neil Peart’s passing, Mike Tiano reflects on his connection to Rush through working for Canadian rock artists during the 1970s.

‘Ordinary Heroes’ is better than your ordinary mainstream jazz because Peter Hum composes, arranges and plays with the finesse and conviction he brings to his political activism.