Amaranthe – ‘Manifest’ (2020)
At times, Amaranthe’s ‘Manifest’ is so poppy that I feel almost embarrassed to crank it up, but then it swings around and punches you square in the face.
At times, Amaranthe’s ‘Manifest’ is so poppy that I feel almost embarrassed to crank it up, but then it swings around and punches you square in the face.
Tower of Power’s outstanding ‘Step Up’ harkens back to the best of the band’s past while still being contemporary.
Michael Bisio has such a keen sense of intuition that he can improvise with anyone. Here, he seeks out a new challenge with an unlikely partner in Allen Shawn.
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
Norah Jones’ continuous search for new sounds and new collaborators has resulted in a varied career that seems to satisfy her enormous talents.
Released 10 years ago today, the textured ‘Le Noise’ landed somewhere between Neil Young’s acoustic work and his more muscular full-band rock music.
Greg Granger caught up with Refuge, a celebrated new rock band of multinational youths living in Nairobi, Kenya.
Matthew Shipp and Rob Brown’s ‘Then Now’ finds two fiercely individual artists blending into a creative whole without compromising their identities.
Kenneth Womack’s ‘John Lennon 80’ paints a realistic, balanced picture of his final era’s setbacks, victories and, sadly, unfulfilled dreams.
‘Once Upon a Time’ explores the possible directions that Bob James largely eschewed in favor of a more melodic – and popular – approach.