Steppenwolf – ‘Monster’ (1969): On Second Thought
Returning to a moment when Steppenwolf tried to reconcile the shortcomings of specific aspects of American history with the spirit of American optimism.
Something Else!
Merzbow, Mats Gustafsson + Balazs Pandi – ‘Cuts Open’ (2020)
Merzbow, Mats Gustafsson and Balazs Pandi know how to manipulate calmness to make it as impactful as the ceaseless noise that they also create.
Why Supertramp’s “Sister Moonshine” Pointed to Future Greatness
Supertramp’s elfin, silvery “Sister Moonshine” arrived 45 years ago today as a kind of dry run for platinum successes to come.
Avatar – ‘Hunter Gatherer’ (2020)
I’m not sure what made me click on ‘Child’ from ‘Hunter Gatherer’ after steadfastly ignoring Avatar for years, but I’m glad that I did.
Terje Rypdal – ‘Conspiracy’ (2020)
A restless, progressive artist through the last 50 years, Terje Rypdal shows he can still pack large ideas into a small band within the tighter confines of a studio.
When Jeff Lynne’s ELO Triumphantly Returned With ‘Live in Hyde Park’
Released five years ago today, ‘Jeff Lynne’s ELO Live in Hyde Park’ gave fans a chance to revisit – and reconsider – the Electric Light Orchestra.
Butcher Brown – ‘#KingButch’ (2020)
Butcher Brown’s fusion / R&B / funk / punk alchemy doesn’t brow beat you into submission. Instead, seductive grooves and confident musicianship do that job.
Champian Fulton – ‘Birdsong’ (2020)
‘Birdsong’ is a respectful and classy homage to Charlie Parker and the music which has influenced Champian Fulton since she was small.
Kevin Godley, “Hit the Street” from ‘Muscle Memory’ (2020): One Track Mind
Kevin Godley of 10cc and Godley and Creme fame returns with an intriguing single that advances his new solo album ‘Muscle Memory.’
Matthew Shipp Trio – ‘The Unidentifiable’ (2020)
No matter how free or straight it’s played, ‘The Unidentifiable’ is always eloquent, audacious and artful. The Matthew Shipp Trio continues to set the standard for the modern jazz trio of our time.
