“Get On This” was ballsy, adventurous and risky — things Chicago had arguably not been in a long time. So, why’d they leave it on the cutting-room floor?

‘1918’ is vibes/percussion outlaw Mike Dillon’s unfiltered, homegrown manifesto about living in a pandemic world.

CJ Vanston joins Anthony Sonego to discuss his early days as a jingle writer, collaborations with Richard Marx, and how he initially connected with Toto.

Here is the streaming premiere of cellist/composer Christopher Hoffman’s “Dylan George” from his upcoming album ‘Asp Nimbus.’

With the right mix of strong originals and well-selected covers, ‘Baker’s Circle’ is another solid outing by jazz guitar ace Dave Stryker and his quartet.

Kuzu’s third album ‘The Glass Delusion’ continues this noise-jazz trio’s reputation for making some of the most individualistic and rewarding music of this genre.

“Boot Money” appears on the late Tony Joe White’s upcoming Dan Auerbach-produced album ‘Smoke From the Chimney.’

Taylor Eigsti joins Ross Boissoneau to discuss career-shaping albums by John Coltrane, Bjork and Brad Mehldau

Does rock ‘n’ roll have any significance in today’s pop culture? Let’s dig into new albums by AC/DC, Tom Petty, Neil Young and others to find out.

Carl Weingarten’s long embrace of technology has paid off handsomely in the making of ‘Ember Days,’ an album with his signature pristine sound and the perfect, stress-relieving, soul-satisfying elixir for these trying times.