by S. Victor Aaron When I initally got into fusion jazz in the mid to late seventies, Jean-Luc Ponty was one of the first artists I became a fan of, and I still dig his music today. He’s been an enduring figure on the scene, having been recording for overRead More

by S. Victor Aaron The jazz world took a double whammy over the weekend as Alice Coltrane and Michael Brecker passed away. Both of these artists were among my favorites, and like many of others, I’ll miss them and the major contributions they’ve made to the art form. Alice ColtraneRead More

We all know that Stevie Wonder is a great singer, but former Doobie Brothers star Michael McDonald simply outdoes him here.

by Pico I finally got around to listening to Tom Waits’ sprawling odds-and-ends collection Orphans and it occurred to me that Australian-born/England-residing singer-songwriter Nick Cave has a lot of similarities to Waits. Both have scary sounding voices (Waits a whiskey-scarred growl and Cave a deep baritone), write detailed narratives delvingRead More

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More

In the brilliant, circular overture of synthesizer and riff that opens ‘Endless Wire,’ we find a triumph for what’s left of the Who.

Tokyo-based whack jazz guitarist, turntablist, composer, arranger and knob twiddler Otomo Yoshihide has been called the John Zorn of Japan for his love of combining experimental sounds with avant-garde jazz. And to my ears, there’s not much there to dispute the comparison, for better or for worse. His fascination withRead More

With Koko Taylor’s sassy wailing, “Merry, Merry Christmas” provides a great excuse to sway to some prime, funky electric Chicago blues done right by one of its living legends.

by Pico When I first read about an album by Mariani called Perpetuum Mobile from 1970 and featuring Eric Johnson, two thoughts immediately came to mind. Either the “1970” part was a typo and “1980” was intended, or this was a different Eric Johnson than the Austin, Texas-based axe virtuosoRead More

by Pico A couple of weeks ago we looked at a band who at times sound like a virtual clone of Yes in their prime. This time, we spotlight a musical group who has taken mimicking others to an whole ‘nother level. Mickey Melchiondo and Aaron Freeman, aka Dean andRead More