by S. Victor Aaron The classic record showcasing the masterful piano of a just-maturing Bill Evans is back. More to the point, it returns in 24-bit remastered form as part of Orrin Keepnews’currently running “Keepnews Collection” reissue campaign, straight from the original producer of such notable jazz records by ChetRead More

by Pico Joey deFrancesco. Tony Monaco. Larry Goldings. Barbara Dennerlein. All at the forefront of the current generation of jazz organists and heirs to the mantle of Jimmy Smith, Charles Earland and Jack McDuff. Oh yeah, there’s one more notable: Sam Yahel. But with the release this week of hisRead More

Tony Joe White is one of us, pure and simple. Earthy and plain-spoken. Southern and proud. With all the contradictions.

Ed Williams, a good-time throwback, is as much bluesman and blue blood — his uncle and musical mentor was the great slide guitarist J.B. Hutto — so it’s certainly no surprise that he strikes a determined retro stance on “Rattleshake.” What’s cool is that he keeps pulling it off. MatureRead More

Tony Soprano tucked into a booth at a New Jersey diner, one of those old-time places with a selection of jukebox tunes right at the table. He considered, briefly, something by Tony Bennett, then went with Journey’s “Don’t Stop Believin,’” and the final, controversial, moments of HBO’s “The Sopranos” —Read More

NICK DERISO: From the trembling strains of the first harpsichord notes here, to the rappy backbeat that follows, to the bubbling funk from later on, to the hard jazz moving through this album after that, it’s clear … Bernie Worrell — the original keyboardist with Parliament-Funkadelic— is crazy. But inRead More

NICK DERISO: The Rockets were an undeniably crisp, hard-working blues band in the early 1980s, respectable if a little nondescript. Darrell Nulish handled vocals and harmonica, fronting a group led by the unusually named, and just as unusually talented, guitarist Anson Funderburgh. The basis for “Blast Off,” a 1992 retrospectiveRead More

My list of the best swan song jazz recordings is in need of an update. Michael Brecker’s posthumously released ‘Pilgrimage’ is a deserving addendum.

I tried but, damnit, I just couldn’t ignore Fear Of A Blank Planet any longer. Whenever someone asks me who among the current crop of prog rock bands they should explore, Porcupine Tree is always on the top of my list. While I enjoy Yes-reincarnated outfits like Spock’s Beard, PTRead More

A few months ago we bemoaned the dearth of talent promoted by record labels while there’s an abundance of it out there unsigned, and put forth Vancouver’s own Heidi McCurdy as an example of overlooked artistry. About three hundred miles south in Portland, Oregon is yet another diamond in theRead More