Steve Cropper talks about a memorable moment of improvisation by Otis Redding, and debunks a myth that’s surrounded it ever since.

Duluth Trading Co. explains the concept of a pun in their response to a lawsuit from the Eagles’ Don Henley. Also, the whole free speech thing.

“At the risk of sounding boring,” Deep Purple’s Ian Gillan says, “we haven’t changed our ethos since 1969.”

Some Hall and Oates videos were high concept, some amazingly low budget. But which is John Oates’ favorite?

Billy Sherwood talks about the role he played in smoothing Yes’ sometimes-difficult transition from Trevor Rabin back to Steve Howe.

Tony Levin takes us to the genesis of this Scott Schorr co-produced effort, and talks about the possibility of future projects with Pete Levin.

‘Head’ found the Monkees breaking away forever from the tightly scripted structure of a television show that had hurtled them to fame.

Help saxophonist Greg Ward reach his funding goal for the next Fitted Shards album.

The transition from Eric Clapton to Jeff Beck sent the Yardbirds hurtling from classicism to the very edge of experimentalism in the blink of an eye.

Brian May makes a bold statement about how Queen’s stint with Adam Lambert shapes up against their Freddie Mercury-fronted period.