‘Mystery to Me,’ released this week in 1973, included a standout moment that pointed the way to Fleetwood Mac’s charttopping promised land.

Billy Sherwood recently found himself in a position that was both enviable and deeply sad: Replacing his mentor Chris Squire in Yes.

Here is the premiere of Chicago drummer/composer Charles Rumback’s title track from his upcoming quintet release ‘In The new Year’.

In October 1982, as “Open All Night” arrived on ‘H20,’ Hall and Oates were tending toward mechanization and goofy videos. Not here.

“I kinda love all the albums,” Genesis guitarist Steve Hackett allows, before finally deciding on one released in October 1973.

John Oates accidentally found a new sound that helped shape the lead single from Hall and Oates’ ‘Big Bam Boom,’ released on October 12, 1984.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

‘Time,’ released on Oct. 10, 1995, became Fleetwood Mac’s first-ever U.S. chart failure. Dave Mason joins us to explain what went wrong.

Released on Oct. 10, 1969, King Crimson’s ‘In the Court of the Crimson King’ was like nothing that had come before – and little since.