The Band’s ‘Christmas Must Be Tonight’ Remains an Unjustly Overlooked Holiday Classic
The Band’s perhaps too ambitious “Christmas Must Be Tonight” never became the seasonal favorite it should have been.
The Band’s perhaps too ambitious “Christmas Must Be Tonight” never became the seasonal favorite it should have been.
Robbie Robertson found another deeply resonant setting for his unique brand of storytelling with ‘Storyville,’ released on Sept. 30, 1991.
A moving turn by former Band mate Rick Danko gives shape to a yearning at the center of Robbie Robertson’s darkly mysterious “Hold Back the Dawn.”
Levon Helm and the RCO All-Stars seemed to come together through happenstance. Unfortunately, they went their separate ways in a similarly random way.
When Rick Danko’s posthumous “Times Like These” ends, it’s like coming awake again after a beautiful – if powerfully sad – reverie.
“Don’t Ya Tell Henry,” released 40 years ago this month on ‘The Basement Tapes,’ illustrates how Bob Dylan and the Band pushed each other to greatness.
‘Electric Dirt,’ and standout cuts like “Tennessee Jed,” marked Levon Helm’s return not just as a grizzled survivor but as an artist in full again.
“Soap Box Preacher” rewarded those who’d waited in the hopes that Robbie Robertson’s solo career could conjure that old Band magic again.
As with much of 1977’s ‘Rick Danko,’ “Tired of Waiting” feels loose and personable, but an added bit of funk gives it no small amount of grit.
On an album that justly earned accolades for touching upon every element of Garth Hudson’s roving genius, this grace-note finale often gets overlooked.