Articles by: S. Victor Aaron

S. Victor Aaron’s Mid-Year Best of 2013 (Fusion Jazz): John Scofield, Rock Candy Funk

S. Victor Aaron’s Mid-Year Best of 2013 (Fusion Jazz): John Scofield, Rock Candy Funk

“Fusion jazz” is one of my favorite genres because it can encompass the intelligent, episodic prog rock of Guapo, forward-thinking world fusion of Maira Marquez or plain fun instrumental music of Rock Candy Funk Party. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021)

S. Victor Aaron’s Mid-Year Best of 2013 (Avant Garde and Experimental Jazz): Ben Goldberg, Ceramic Dog

S. Victor Aaron’s Mid-Year Best of 2013 (Avant Garde and Experimental Jazz): Ben Goldberg, Ceramic Dog

In years past, I’ve called this the “whack jazz” list and this time we’re going to call it “avant garde and experimental jazz,” but any music that goes too far outside the bounds of convention gets lumped into its own category. You May Also Like: Marc Ribot’s Ceramic Dog –Read More

WTF?! Wednesdays: Chicago, "Free Form Guitar" (1969)

WTF?! Wednesdays: Chicago, “Free Form Guitar” (1969)

Once in a while a major act known for creating some of the most melodious, listenable songs will shock us all and uncork a track that’s the polar opposite. The Beatles had their “Revolution 9,” Lou Reed had his Metal Machine Music and Pat Metheny his Zero Tolerance for Silence.Read More

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Billy Bang – Da Bang! (2013)

When Billy Bang walked into a Helsinki studio in February of 2011 with trombonist Dick Griffin, pianist Andrew Bemkey, bassist Hilliard Greene and drummer Newman Taylor-Baker, he would be recording for the last time. You May Also Like: Matthew Shipp Trio – ‘World Construct’ (2022)

S. Victor Aaron’s Mid-Year Best of 2013  (Modern and Mainstream Jazz): Chris Potter, Rudresh Mahanthappa

S. Victor Aaron’s Mid-Year Best of 2013 (Modern and Mainstream Jazz): Chris Potter, Rudresh Mahanthappa

For this middle-of-2013 version list of best modern and mainstream jazz records, I expanded the meaning of “modern and mainstream jazz” a little bit this year You May Also Like: No related posts.

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Syrinx Effect – gnarly & sweet (2013)

As members of Seattle’s vibrant, underrated improvised music scene, Kate Olsen and Naomi Siegel are rising stars there who have pooled their creative talents into the project Syrinx Effect. Olson plays soprano sax and Siegel the trombone, but there’s more to this duo than just two horns. You May AlsoRead More

S. Victor Aaron’s Mid-Year Best of 2013  (Non-Jazz): Harper/ Musselwhite, Robben Ford, Tommy Malone

S. Victor Aaron’s Mid-Year Best of 2013 (Non-Jazz): Harper/ Musselwhite, Robben Ford, Tommy Malone

If you were to go back and check the choices I made at the middle of 2012 for non-jazz albums released the first six months of that year, you’d find the artists being awarded were among the biggest hitmakers You May Also Like: How Robben Ford’s ‘The Inside Story’ IntroducedRead More

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Allison Miller’s Boom Tic Boom – No Morphine No Lilies (2013)

Often in sizing up drummers who lead their own bands, I find that they either actively get out front or they get out of the way and let their band mates becomes the focal point. You May Also Like: Allison Miller and Jane Ira Bloom – ‘Tues Days’ (2021)

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Reut Regev’s R*Time – ‘exploRing the vibe’ (2013)

Reut Regev’s ‘exploRing the vibe’ is a record that truly lives up to the title, as each song has a vibe.

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John Scofield – Überjam Deux (2013)

Überjam was the most contemporary music John Scofield had made in a richly varied, artistically meaningful and just plain enjoyable career in jazz over these last forty years; only fellow guitarist Pat Metheny can point to a more impressive body of work over that time. You May Also Like: JohnRead More