Talented trombonist/composer Matthew Hartnett has identified something culturally valuable in every environment he’s found himself in to make a remarkable introduction.

Daevid Allen’s final recording is as he’s always sounded: like he’s still frolicking in 1970 trying to imagine what music might be like in 2020 if we had lost our minds along the way,

Jensen and Olin draw from a deep well of experience and the broad diversity of music styles to make a little magic with a big band.

Groove Legacy are new torchbearers who have the wherewithal to resurrect the glorious past of 70s funk-jazz with all the intuition and understanding of those who were there.

The spiritually soothing music of Sameer Gupta and Ross Hammond’s “Upward” is a simple pleasure in any culture.

‘Soul Tree’ is that kind of fundamentally solid, guitar/organ/drums record that you’d expect from a seasoned guitarist like Ed Cherry. You won’t go wrong here.

Show me someone who says jazz is no fun to listen to and I’ll show them Matt Parker.

The main draw of Avishai Cohen’s artistry throughout his varied output is his restlessness. The inward-looking and reflective ‘Into The Silence’ contrasts with earlier work but is exactly right for the moment.

Dr. John’s funky Nola street dance anthem has rarely been covered with as much festive spirit as it has from New Orleans’ own Mardis Gras Indian funk collective Cha Wa.

Jaimeo Brown and Chris Sholar are able to make sense of traditional work songs from the American South and all corners of the world all and place it in the context of the present.