NICK DERISO: Volume 2 gives an idea of how considerable a wake the 1940s Miles Davis Nonet left. Taking its name from Davis’ legendary 1950 recording, this welcome, if belated, compilation scoops up all of the Capitol cuts from the early ’50s by two of the nonet’s most important disciples,Read More
George Harrison remains the Beatles’ great unresolved mystery — the guy who might have actually done more had he been in any another band after 1965. Or not. His solo records are a frustrating mix of the sublime, the blatant and the unremarkable. Sometimes within a three-song sweep. Sometimes withinRead More
NICK DERISO: The list of Louisiana Music Hall of Fame inductees is predictably recognizable. You’ve got your Dr. Johns and Clarence “Frogman” Henrys, your John Freds and your Blackie Forestiers, your Frankie Fords and your Doug Duffeys. Hold up, Doug Duffey? The northern Louisiana-based globe-trotter may be one of theRead More
NICK DERISO: The title cut of “Medicine Show” is a room-clearing-brawl type of song: It forces you to pay close attention from there on out. Freddie “Steady” Krc and the Shakin’ Apostles reaffirm, and right from the start, their neat amalgamation of mop-top whimsy and Hill Country picking. They makeRead More
NICK DERISO: “Guess Who I Saw Today,” from Nancy Wilson’s second Capitol Records recording “Something Wonderful,” always stops me in my tracks. “You’re so late getting home from the office,” she begins. “Did you miss your train? Were you caught in the rain? No, don’t bother to explain.” And soRead More
NICK DERISO: A weighty recording from a player who should have been long gone, on a subject that shouldn’t afford such texture. Saxophonist James Moody’s “Young at Heart,” aptly titled, is a shower of invention from out of the clear blue, this burst of romanticism from an aging bebopper thatRead More
NICK DERISO: Four Dobie Gillis types, including brothers from Irvine, Calif., the Swamp Zombies were notable for having some amount of ability on all manner of instruments, but also at the clanging of pots and pans. They remain a great pop-music (or punk folk, I guess) example of what canRead More
NICK DERISO: As good as her studio recordings are, they have a certain airless perfection that doesn’t quite fit the rollicking piano genius of Marcia Ball. Hers is a bubbling soulfulness, loose limbed and informal – and it’s dripping over the sides of “Live! Down the Road,” Ball’s first-ever full-lengthRead More
The late, and unjustly obscure Washington D.C. guitar guru Danny Gatton — known, quite simply, as The Humbler — finally got his splashy major-label debut with this one, and it sparkles in the white-hot spotlight. Good thing, too. By 1994, one of music’s most versatile, talented and electric performers hadRead More
The Preservation Hall Jazz Band, perhaps the very face of New Orleans music, shoulders a heavy burden on “The Hurricane Sessions” in trying to convey the sweeping emotions surrounding Katrina. So much happened away from those familiar wooden benches at 726 St. Peter St. in the dusty room known asRead More
