NICK DERISO: I must admit, even now, an abiding love for the inner-ear damage that “Purrrr,” this long-forgotten hard-pop release, offers. But there’s more to it: Hollyfaith’s debut on Epic is, in some ways, perfectly done guitar-focused music, raunchily loud but then welcomely tender — and, in no small way,Read More

NICK DERISO: This song, issued in the wake of the devastating attacks on New York City in 2001, nearly overwhelmed me with grief the first time I heard it. I thought of my father. He’s been dead 20 years this summer, and I must admit that — like everything fromRead More

This record was, Blanchard told me, his love letter to Miles Davis. In retrospect, it was the beginning of his ascension from young lion into modern standard bearer, too. Born in New Orleans, and brought up in one of the final incarnations of Art Blakey’s traveling finishing school the JazzRead More

NICK DERISO: Cephas and Wiggins, America’s best remaining champions of the easterly Piedmont blues tradition, somehow never really made it. I mean, Robert Cray-type made it. Stevie Ray-type made it. A shame. Self-taught harp player Phil Wiggins, from Washington D.C., met John Cephas as the 1960s blues revival was inRead More

It’s one of those Isaac Hayes shut-your-mouth moments. I’m talking about the news that Hayes, at 65, had passed. He was a renaissance man in gold chains, a composer and arranger unafraid of style. He’d wear sunglasses the size of milk saucers while directing a room full of musicians onRead More

NICK DERISO: Asleep at the Wheel has ensured that Texas swing music is no museum piece. In fact, they can be downright postmodern — recording, on occasion, with the likes of Manhattan Transfer and the Squirrel Nut Zippers, while paying tribute to Lone Star musical legend Bob Wills. A niftyRead More

So, you’re Andy Griggs, a sugar-sweet pop-country singer from West Monroe, La. And you’re standing in the lonely bull’s eye of center stage, guitar in hand. There are hundreds and hundreds of pairs of eyes looking back. “The adrenaline!” you say, whispering. “There’s a difference between 1,000 people and 15,000.Read More

To take the old-school harmonic brilliance of Duke Ellington into the realm of John Coltane — soon to establish himself as the picture of avant garde, stimulatingly free, out there in such a way as to legitimately draw comparisons with the spiritual — was, you imagine, a challenge of equalRead More

NICK DERISO: You see the name “Sonnier,” you think Cajun. And you’re almost right. Sure, Jon Yudkin played fiddle on Kip Sonnier’s “Truth or a Lie.” Steve Duhon was on accordian. And, yeah, Sonnier is a Louisiana native. Even so, Bobby Terry could be found on pedal steel. And thatRead More

NICK DERISO: You’ll the find the best of this underappreciated, high-style Mississippi blues pianist on 1950s-era Trumpet Records reissues put out beginning in 1989 by Chicago’s Alligator Records. Run out of a Jackson, Miss., record store, Lillian Shedd McMurry’s locally legendary Trumpet label caught several blues greats just before theirRead More