I tend to regard unaccompanied solo records as a pretty good indicator as to how well that musician can play their instrument.
Even if they play so well a capella, though, that doesn’t necessarily make it a great record. It can so easily devolve into a “look how good I am” exercise at the expense of playing actual music.
Luckily, some of today’s top players like Matthew Shipp and Vijay Iyer avoided those traps with their solo records this year. And, while this one didn’t get as much press, so did Mort Weiss’ clarinet-only Raising The Bar. All but three of the songs are standards, and I’m struck by how he makes the old melodies recognizable by stating a mere few notes in the right places, then proceed to make these staples his own.
Raising The Bar caps an inspiring comeback from someone who had abandoned music altogether for decades after getting caught up with all the vices that came with being a jazz saxophonist in the ’60s. Given his life story, his album ending rendition of “My Way” becomes a very intimate, autobiographical statement to the point of even making you forget about Sinatra.
That’s a pretty strong personal stamp.
- Lydia Salnikova, “Christmas Means a Different Thing This Year” (2024): One Track Mind - November 19, 2024
- Darius Jones – ‘Legend of e’Boi (The Hypervigilant Eye)’ - November 15, 2024
- Rich Halley 4 – ‘Dusk And Dawn’ (2024) - November 13, 2024
THANKS victor-for your understanding-and GETTING IT!!
MORT
“Raising the Bar.” Will always be looked upon as my magnum Opus. Mort Weiss SMS JAZZ