Let’s return to a handful of favorites – three in the studio, and two on stage – from Warren Zevon, who was born on Jan. 24, 1947 in Chicago:
“I’LL SLEEP WHEN I’M DEAD,” WARREN ZEVON (1976): Is there a better way to celebrate Warren Zevon than one of his tales of excess? This jewel from his self-titled 1976 album also serves as the title of his second greatest-hits collection – and his ex-wife’s fascinating biography of Zevon. Well, why not!? The song is a classic. Producer/benefactor Jackson Browne made Gary Mallaber pummel the drums like there was no tomorrow. Waddy Wachtel brings an equally primal feel, which is further enhanced by Zevon’s banging on the piano and screaming harmonica.
“NUMB AS A STATUE,” THE WIND (2003): Forget the Grammy-winning “Disorder In the House.” “Numb as a Statue” is the best rocker on Zevon’s last album. Part of the song’s big hairy balls comes from lap-steel wizard David Lindley, who plays like his life depends on it. Also, producer and song co-writer Jorge Calderon serves up in-the-pocket bass riffs and howling backing vocals. Of course, the star is Warren Zevon, whose roots-rocking piano and vocals are alive with passion. Can I get a witness?
“LAWYERS, GUNS AND MONEY,” EXCITABLE BOY (1978): With Kenny Edwards on bass, Rick Moratta on drums, Waddy Wachtel on guitar and Jackson Browne’s production, this song is a gem among gem.
An innocent bystander
Somehow I got stuck between
a rock and a hard place
And I’m down on my luck
Yes, I’m down on my luck
Well, I’m down on my luck.
Lyrical perfection!
[SOMETHING ELSE! REWIND: It would be a grave injustice if we remember the late Warren Zevon merely for his 1978 novelty hit single “Werewolves of London.” Let’s dig deeper.]
“STAND IN THE FIRE,” STAND IN THE FIRE (1980): This treat from Zevon’s concert recording of the same is an excellent example of what live rock should be. Sure, there are a few ragged pieces but Warren and his band – partly composed of the group Boulder – delivered in ragged glory. Stand In the Fire is one of the best live albums ever.
“PLAY IT ALL NIGHT LONG,” LEARNING TO FLINCH (1993): Yes, I know there’s the original version from 1980’s Bad Luck Streak in Dancing School, and the live take from Stand In the Fire. But the solo piano version from 1993’s Learning to Flinch always moved me the most. Perhaps it’s because this update reflects the versions I heard the most live. More likely, it’s the intimacy and power of Warren Zevon’s voice and his classically infused rock piano, which gives the song a vivid and chilling reality.
‘Sweet Home Alabama’
Play that dead band’s song
Turn those speakers up full blast
Play it all night long
- Jonathan Powell – ‘Mambo Jazz Party’ (2024) - November 3, 2024
- Johnny Pacheco – ‘Mi Nuevo Tumbao … Canonazo’ (1964; 2024 reissue) - November 2, 2024
- Alex E. Chavez – ‘Sonorous Present’ (2024) - October 27, 2024
