‘Testament’ leaves me wondering why Avram Fefer isn’t more widely noticed. He consistently brings the goods in composition, technique and sidemen – and delivers.

Chicago isn’t breaking any new ground, but “Love Me Tomorrow” is still stronger than the music of their contemporaries.

‘In the Year 3073: Book I’ builds on the sonic foundation of Projekt Gemineye’s last album, while lyrically proceeding boldly onto the future.